Praised for her “fresh, sensitive voice” (Opéra Magazine, February 2020), soprano Amélie Tatti grew up in Bastia and fell in love with music – especially piano and singing – at a very young age. She also explored other artistic disciplines, such as theatre, trapeze and aerial silks.

Trained at the École Normale de Musique de Paris with Daniel Ottevaere, Marie-Thérèse Keller and Mireille Larroche, she earned her concert diploma there. As a scholarship holder from 2015 to 2018, she received advice from Rolando Villazón, Barbara Hannigan and Jennifer Larmore, then refined her art with Christian Papis. In 2020 she was selected by the Fondation Royaumont to sing Sophie (Werther), directed by Moshe Leiser and Patrice Caurier.

She sings Mozart roles (Susanna, Despina, Zerlina, Papagena, Barbarina) as well as Micaëla (La Tragédie de Carmen), Amour (Orphée et Eurydice), La Musica (L’Orfeo), Euridice (La Descente d’Orphée aux enfers), Belinda (Dido & Aeneas) and Santa Editta (Stradella). She has sung Zémire (Grétry’s Zémire et Azor) with Les Paladins under Jérôme Corréas, and roles in original productions such as Orfeo, je suis mort en Arcadie (Bouffes du Nord) and La Descente d’Orphée aux enfers (directed by Sol Espeche).

She also shines in opéra comique and operetta, notably in the title roles of Isouard’s Cendrillon at the Musica Nigella festival and of Poil de Carotte (directed by Zabou Breitman, conducted by Victor Jacob) at the Opéra de Montpellier, in Gosse de riche with Les Frivolités Parisiennes, and in La Vie parisienne, Le Pays du sourire, Pomme d’api, L’Île de Tulipatan and Les Mousquetaires au couvent.

She has recorded and performed Colette and Clémentine in Gosse de riche and Yes on the Alpha label.

In contemporary music, she won the Grand Prize for Contemporary Music at the Enescu Competition, created the role of Certitude rieuse in an opera by Stéphane Leach to a libretto by Babouillec, and premiered Sebastian Androne-Nakanishi’s Vis Vitreg.

She is also a recipient of the Opéra-Comique’s Menda grant and, for a second time, a laureate of the Fondation Royaumont, to sing Constance in Dialogues des Carmélites.

True to her roots, she has developed a recital of Corsican songs with string quartet. Her path unfolds between heritage and invention, in a spirit of demanding, poetic exploration.